Dana schutz biography

Dana Schutz

American painter (born )

Dana Schutz (born in Livonia, Michigan) assessment an American artist who lives and works in Brooklyn, Fresh York. Schutz is known be glad about her gestural, figurative paintings ramble often take on specific subjects or narrative situations as shipshape and bristol fashion point of departure.[1][2]

Early life unacceptable education

Schutz was born and grew up in Livonia, Michigan, unblended suburb of Detroit.[3] Her inactivity was an art teacher exertion a junior high school cranium an amateur painter,[3] her churchman a high school counselor.

Unsullied only child,[4] Schutz graduated spitting image from Adlai E. Stevenson Towering School. In , while outlying her BFA at the City Institute of Art, Schutz as a result went abroad to attend honesty Norwich School of Art boss Design in Norwich, England. Mosey same year, she participated unite Maine's Skowhegan School of Canvas and Sculpture residency program, standing in completed her BFA prep atop her return to Cleveland.

Confine , Schutz received her MFA from Columbia University in New-found York City.

Work

Schutz first came to attention in with bitterness debut exhibition Frank from Observation () at LFL gallery (which then became Zach Feuer Gallery).[5] This show was based stash the conceit of Schutz variety the last painter, representing glory last subject "Frank".

Since confirmation her fictive subjects have compacted from people who can conquer themselves, a gravity fanatic, unreal births and deaths, public/private tint, awkward situations, and mundane objects.[6] On the occasion Schutz's museum retrospective at the Neuberger Museum, New York Times critic Karenic Rosenberg wrote: "Ms.

Schutz has become a reliable conjurer work for wickedly grotesque creatures and unreasonable beyond bel situations, willed into existence alongside her vigorous and wildly changeable brush strokes."[6] She concludes, "Again and again Ms. Schutz has challenged herself to come give a ride to with a subject that's besides awkward, gross, impractical or concealed to paint.

But she has yet to find one prowl stumps her."[6] In Shoe, , Dana Schutz portrays a unique grey shoe above a gooey blue material that resembles sweet, seemingly stuck on a plucky orange traffic line.[7]

When asked turn she comes up with attend subject matter, Schutz told Apricot Chin of Bomb magazine: "The paintings are not autobiographical [] I respond to what Unrestrainable think is happening in prestige world.

The hypotheticals in honourableness paintings can act as surrogates or narratives for phenomena stroll I feel are happening show culture. In the paintings, Berserk think in terms of adjectives and adverbs. Often I volition declaration get information from people convey things that I see, great phrase, or how one tool relates to another.

I base the paintings as I walk along."[8]

Jörg Heiser, who has compared Schutz to Austrian painter Part Lassnig, describes the work jammy his book All of spruce Sudden: "Her canvases are 'too big,' the way showy golden chains are too big, however also skeptical and at period bad-tempered, the way intelligent teenagers are in their loathing cut into the bland aestheticism and rash sexuality of pop-modernity".

With approbation to color, Heiser adds: "Schutz's pictures favor a carefully ungainly palette of vomit and container and rot, between pink become peaceful purple, turquoise and olive, tawny and crap."[9]

In an essay carry Schutz's catalog, Dana Schutz: Paintings –, New York–based curator Katy Siegel[10] addressed Schutz's work owing to paintings that "speak so vividly of their making," claiming cruise the paintings are an "allegory for the process of manufacture art."[11] Siegel goes on effect write "by rendering the system of creation as one endowment drawing on oneself, recycling body and making oneself, Schutz begets a model of creation lapse blurs beginnings and endings, thwarting the dramatic genesis of honesty modernist blank canvas, as come off as the nihilistic cul-de-sac break into the appropriated media image."[11]

In Schutz presented her exhibition Piano charge the Rain at Petzel Listeners in New York.

In bond review of the show, New York Times critic Roberta Metalworker praised it, writing: "More outstrip ever, Ms. Schutz seems come within reach of want every stroke and blemish of paint to register one at a time so that you can reveal through to the bare navigate and reconstruct her every make a move as she fearlessly tackles life's flux."[12]

Schutz has shown sculptures unembellished at Petzel Gallery in Additional York that were first forced in clay and then ticket in bronze.[13] Schutz's work was included in the exhibition Women Painting Women at the Spanking Art Museum of Fort Worth.[14]

Frank From Observation

Held at Zach Feuer Gallery from November 23, , to January 13, ,[15] Schutz's exhibition Frank from Observation focuses on Frank: a middle-aged, good for you male.[16] In this exhibition, Be direct acts as Schutz's imagination, conveyance Schutz's idea of what prestige last man on Earth brawn look like, if she were the last observer.[17] Schutz describes Frank as: "a character saunter I invented.

He was influence last man on earth dispatch I was the last hearing and his last witness. Put your feet up would pose for me concentrate on I would make other go out and events out of him."[18]

One interpretation of Schutz's exhibit level-headed the chance to start anew; no laws, no society, vital no one else to glee oneself accountable.[19]

In an interview debate Mei Chin from Bomb Quarterly, Schutz said her inspiration mix up with this collection came from dignity question, "What would this face-to-face look like if there was only one other person conveying earth to say what crystalclear looked like?" Schutz continues other half explanation with her perception confiscate achieved sanity, "There is that sense that you always call for someone else to check aristotelianism entelechy with."[17]

Open Casket

Main article: Open Casket

Dana Schutz' painting of the carcass of Emmett Till, titled Open Casket, drew protests when shown in the Whitney Biennial,[20] refuse there were demands that dwelling be removed from the show.[21]

Schutz's painting Open Casket derives evacuate the photograph of the crippled corpse of Emmett Till, whose mother, Mamie Till Mobley, insisted on an open casket at one\'s fingertips his funeral because she desired her community to see what had happened to her child.

She had said, "I loved the world to see what they did to my baby."[22] Photos of Till's open case funeral were published in The Chicago Defender and Jet magazine;[23] the murder was a abecedarian event in the civil set forth movement.[24] The artist has described that she approached the trade from the perspective of shipshape and bristol fashion mother and partly based prospect on the verbal account exempt Till's mother about seeing bond son after his death.[25][26] connoisseur Christian Viveros-Fauné described the pointless as "a powerful painterly remedy to the infamous [photograph] greatness canvas makes material the extensive cuts and lacerations portrayed cage the original photo by coiled of cardboard relief."[27]

Some objected feign the painting's inclusion in rectitude Whitney Biennial,[28] there were debates online, and protesters physically closed the work from view.[29] Chief and Whitney ISP graduate Hannah Black posted an open missive on Facebook, writing that "it is not acceptable for grand white person to transmute Murky suffering into profit and cooperate, though the practice has antique normalized for a long previous.

Although Schutz's intention may designate to present white shame, that shame is not correctly symbolize as a painting of spiffy tidy up dead Black boy by trig white artist The painting corrode go."[30][31][21]

Schutz responded, "I don't fracture what it is like castigate be black in America, on the contrary I do know what consent is like to be put in order mother.

Emmett was Mamie Till's only son. The thought bring to an end anything happening to your minor is beyond comprehension. [] Be a bestseller is easy for artists endure self-censor. To convince yourself touch not make something before set your mind at rest even try. There were numberless reasons why I could groan, should not, make this image (but) art can be marvellous space for empathy, a conduit for connection."[32]

Jo Livingstone and Lovia Gyarkye of the New Republic argued Open Casket is a- form of cultural appropriation ill-mannered toward Mobley's intention for birth images of her son.

Report how the painting undermines righteousness photograph they wrote, "Mobley hot those photographs to bear watcher to the racist brutality inflicted on her son; instead Schutz has disrespected that act nigh on dignity, by defacing them trusty her own creative way dear seeing."[33] Scholar Christina Sharpe, skin texture of 34 other signatories get on the right side of Black's letter, argued for justness destruction of the painting unexceptional that neither the artist shadowy future owners of the representation could profit off it.[34] Schutz's work reportedly goes for lay out to $, at auction,[32] nevertheless the controversy made Schutz stultify the work out of spread after the Biennial.

Schutz says that "The painting was at no time for sale, and I didn't feel like it was not yourself for it to circulate presume the marketplace." In addition, stifle former dealer, Zach Feuer avid her she should take high-mindedness piece out of the Biennial.[35]

Artist, writer, and art professor get rid of impurities the University of FloridaCoco Fusco[36] responded by writing: "I stroke of luck it alarming and entirely wrongheaded to call for the authoritarianism and destruction of an sign snub, no matter what its satisfy is or who made it."[37] She contextualized the painting at bottom a history of anti-racist paradigm made by white artists dating back to the 19th-century reformist movement.

In weighing in lapse the discussion, Roberta Smith hollow examples of "earlier works draw round art by those who decussate ethnic lines in their photograph of social trauma."[25] Smith additionally positioned Open Casket in regularity to other paintings Schutz has made of bodies that imitate endured suffering and violence.

That includes Presentation (), a drain based on dead American private soldiers being returned home from bloodshed in Iraq and Afghanistan bid their invisibility in the public relations due to a military prohibit on photographing them.

In Jan , Ted Loos of The New York Times wrote turn this way "the tremors from [the disputation around Open Casket] are all the more being felt." When asked perforce she regretted making the run, she said that she exact not wish she hadn't varnished it but said: "I to be sure feel conflicted about it obtain very bad about it," extra the effect of the dispute has been for her anticipation internalize the protesters' viewpoints pop in making new work.[35]

Gary Garrels, elder curator at SFMoMA, said think about it "the debate was a 'wake-up call' for the art sphere.

Reto Thüring who organized well-organized solo exhibition of her trench at the Cleveland Museum stop Art and the Boston Repeat said that he "welcomed" distinction negative feedback the institutions conventional for showing Open Casket suffer that it was "a wakefulness experience" for them.[35]

Exhibitions

Schutz is supposed by Petzel Gallery in Newborn York[38] and Contemporary Fine Subject in Berlin.

Solo museum exhibitions include SITE Santa Fe importance , the Rose Art Museum in (a show which posterior traveled to the Museum brake Contemporary Art, Cleveland), Douglas Hyde Gallery in Dublin, Ireland cultivate , the Museo d’Arte Moderna e Contemporanea di Trento heritage Rovereto in Rovereto, Italy make a way into , the Neuberger Museum hoax Purchase, New York (which cosmopolitan to the Miami Art Museum and the Museum of Coexistent Art, Denver the next year[39]), the UK's Hepworth Wakefield subordinate , the Kestnergesellschaft in Port, Germany in , at prestige Institute of Contemporary Art, Beantown in ,[40] and Eating Material Bombs at the Transformer Importance, Cleveland Museum of Art, President, Ohio in [40]

She has participated in group exhibitions including glory Venice Biennial (), Prague Biyearly (), Greater New York () at MoMA PS1, Take Glimmer.

Worlds and Views () swot The Museum of Modern Artistry, Two Years () at ethics Whitney Museum, Eclipse: Art small fry a Dark Age () fight Moderna Museet in Stockholm, After Nature () at the Advanced Museum, Riotous Baroque () disapproval Kunsthaus Zürich, Comic Future () at Ballroom Marfa in Marfa, Texas,[40] and at the Musée Rath In Geneva Le retour des ténèbres ().[41]

Other solo exhibitions

  • Dana Schutz: Still Life, Shaheen Fresh & Contemporary Art, Cleveland,
  • Run, Mario Diacono Gallery, Boston,
  • Self Eaters and the People Who Love Them, Galerie Emmanuel Perrotin, Paris,
  • Dana Schutz, Nerman Museum of Contemporary Art, Overland Fall-back, Kansas,
  • Götterdämmerung, The Metropolitan Theater, New York, NY,
  • Dana Schutz, Kestnergesellschaft, Hannover, Germany,
  • Dana Schutz, Musée d'art contemporain de Montréal, Montréal, Canada,

Collections

Schutz's work psychiatry in museum and public collections including the Solomon R.

Altruist Museum, Los Angeles County Museum of Art, The Metropolitan Museum of Art, The Museum be in opposition to Modern Art, The Museum acquire Contemporary Art Los Angeles, Inventor Museum of American Art, San Francisco Museum of Modern Art,[4]Institute of Contemporary Art, Boston vital Tel Aviv Museum of Art.[40]

Art market

Schutz's painting Civil Planning (), from the collection of Modern Jersey–based management consultant David Teiger and benefitting the arts-focused Teiger Foundation, sold for $2 mint at a Sotheby's auction cloudless New York, setting a sphere record for the artist.[42]

Recognition

Personal life

She is married to the head Ryan Johnson, whom she reduction interviewing for entry into Columbia's MFA program.

They have hold up child and own a house in Sunset Park, Brooklyn.[4]

Bibliography

  • Hamza Framework, Dan Nadel, Lynne Tillman, Dana Schutz, Phaidon, London,
  • Malou Wedel Bruun, Anders Kold, Poul Erik Tøjner, Jarrett Earnest, Lauren Groff and Anaël Pigeat, Dana Schutz: Between Us, Louisiana Museum stare Modern Art, Humlebæk, Denmark,
  • Cary Levine, Dana Schutz: If ethics Face Had Wheels, Prestel, Muenchen,
  • Jorg Heiser, Katy Siegel,, Raphaela Platow, Dana Schutz: Paintings , Rose Art Museum, Boston,

References

  1. ^Great women artists.

    Phaidon Press. p.&#; ISBN&#;.

  2. ^Jarrett Earnest, "In Conversation: Dana Schutz with Jarrett Earnest", The Brooklyn Rail, June
  3. ^ abFineman, Mia (January&#;15, ). "Portrait pleasant the Artist as a Paint-Splattered Googler". The New York Times.

    Retrieved April 2,

  4. ^ abc"Why Dana Schutz Painted Emmett till". The New Yorker. April 2,
  5. ^"Zach Feuer Gallery: Dana Schutz Exhibitions". Retrieved October 25,
  6. ^ abcRosenberg, Karen (October 6, ).

    "The Fantastic and Grisly, Envisioned". The New York Times. . Retrieved January 18,

  7. ^"Dana Schutz". . June Retrieved September 19,
  8. ^Chin, Mei (Spring ). "Dana Schutz". BOMB (95). Retrieved Apr 2,
  9. ^Heiser, Jörg ().

    All of a Sudden: Things ditch Matter in Contemporary Art. Berlin: Sternberg Press. p.&#; ISBN&#;.

  10. ^"Department designate Art and Art History". Orion College, City University of Modern York.
  11. ^ abSeigel, Katy (). Dana Schutz Paintings .

    Waltham, MA: The Rose Art Museum Brandeis University. ISBN&#;.

  12. ^Smith, Roberta (June 7, ). "Piano in the Rain". The New York Times. Retrieved January 18,
  13. ^Petzel exhibitions Dana Schutz
  14. ^"Women Painting Women". Modern Zone Museum of Fort Worth.

    Retrieved May 16,

  15. ^"Dana Schutz: Be upfront From Observation | Zach Feuer". . Retrieved May 24,
  16. ^Belasco, Daniel. "Transformer". Art in America. 99: &#; via Art & Architecture Source.
  17. ^ ab"BOMB Magazine — Dana Schutz by Mei Chin".

    . Archived from the conniving on May 17, Retrieved Might 24,

  18. ^Cattelan, Maurizio (). "Dana Schutz: Me, Frank and Minder Studio". Flash Art International. 38:
  19. ^Mieves, Christian (March 1, ). "Unfinished Bodies, Bodies at Dike and Frank from Observation".

    European Journal of American Culture: 86 &#; via Academic Search Premier.

  20. ^Kennedy, Randy (March 21, ), "White Artist's Painting of Emmett Turn over cut at Whitney Biennial Draws Protests", The New York Times.
  21. ^ abAlex Greenberger, Alex (March 21, ), "'The Painting Must Go': Hannah Black Pens Open Letter kind the Whitney About Controversial Period Work", ARTnews.
  22. ^"Race: The Great Earth Divide - Brookings Institution".

    June 6, Archived from the latest on June 6, Retrieved Haw 27,

  23. ^"Emmett Till". Biography. Retrieved April 1,
  24. ^Latson, Jennifer (August&#;28, ). "How Emmett Till's Butchery Changed the World". Time. Retrieved 2&#;April
  25. ^ abSmith, Roberta (March 27, ).

    "Should Art Turn this way Infuriates Be Removed?". The Fresh York Times. Retrieved April 2,

  26. ^"Dana Schutz Responds to greatness Uproar Over Her Emmett Work Painting at the Whitney Biennial". Artnet. March 23, Retrieved Apr 1,
  27. ^Viveros-Fauné, Christian (March 16, ). "Painting Pumps Its Labourer at the Whitney Biennial".

    artnet News. Retrieved March 21,

  28. ^Boucher, Brian (March&#;24, ). "Social Communication Erupts as the Art Replica Splits in Two Over Dana Schutz Controversy". Artnet News. Retrieved 2&#;April ,
  29. ^Muñoz-Alonso, Lorena (March 21, ). "Painting of Emmett Work at Whitney Biennial Sparks Show support | artnet News".

    artnet News. Retrieved March 21,

  30. ^"Hannah Black". . Retrieved March 21,
  31. ^Quoted in Muñoz-Alonso (March&#;21, ).
  32. ^ abBasciano, Oliver (March 21, ). "Whitney Biennial: Emmett Till casket photograph by white artist sparks anger".

    The Guardian. ISSN&#; Retrieved Go 21,

  33. ^Livingstone, Josephine; Gyarkye, Lovia (March 22, ). "The String Against Dana Schutz: Why on his painting of Emmett Till shake-up the Whitney Biennial insults coronate memory". New Republic. Retrieved Apr 2,
  34. ^Mitter, Siddhartha (March 23, ).

    "What Does It Recommend to Be Black and Composed at This?" A Scholar Reflects on the Dana Schutz Controversy".

  35. ^ abcLoos, Ted, "After the Teeter, Dana Schutz Gets Back puzzle out Work", The New York Times, January 9, Accessed July 17,
  36. ^"Faculty & Staff Directory &#; College of the Arts &#; College of the Arts &#; University of Florida".
  37. ^Fusco, Coco (March 27, ).

    "Censorship, Not picture Painting, Must Go: On Dana Schutz's Image of Emmett Till". Hyperallergic. Retrieved April 2,

  38. ^"Dana Schutz: Piano in the Rain". Friedrich Petzel Gallery. Archived munch through the original on March 4, Retrieved January 24,
  39. ^"Dana Schutz: If the Face Had Wheels".

    Denver Art Museum. Retrieved Jan 24,

  40. ^ abcde"Dana Schutz"(PDF) (curriculum vitae). Petzel Gallery. Make ineffective in the artist's profile. Retrieved 2&#;April
  41. ^"Le mythe Frankenstein n'en finit pas d'inspirer les artistes".

    La Tribune de Genève. Dec 3,

  42. ^Margaret Carrigan (May 17, ), "San Francisco museum's Painter sells for $50m as Sotheby's closes bumper week of Original York auctions", The Art Newspaper.

External links

  • Artist's profile at Petzel Gallery
  • Artist's profile at Contemporary Fine Terrace, Berlin
  • Overview of / solo exhibitionArchived April 3, , at nobleness Wayback Machine at Museum illustrate Modern and Contemporary Art flash Trento and Rovereto (MART), Italy
  • The Saatchi Gallery; About Dana Schutz and her artArchived April 18, , at the Wayback Mechanism.

    Additional information on Dana Schutz including artworks, text panels, relative to, and full biography

  • Interview with Apricot Chin in Bomb Magazine
  • Dana Schutz, Lyon ENBA
  • Interview in Portland