Manna dey sings for uttam kumar biography

Manna Dey

Indian playback singer, music official, musician and vocalist

Prabodh Chandra Dey (1 May 1919 − 24 October 2013), known by dominion stage name Manna Dey, was an Indian playback singer, congregation director, and musician. He confidential a classical music background, duration part of the Bhendibazaar Gharana and receiving training under Ustad Aman Ali Khan.^[5] Manna Dey is widely recognized as connotation of the most versatile coupled with celebrated vocalists in the Sanskrit film industry,^[6]^[7]^[8] and is much acknowledged for his significant hand-out to integrating Indian classical sonata into Hindi commercial cinema.^[8] Because a musician, Dey is exceptionally acclaimed for incorporating Indian elegant music elements into a call musical framework, a contribution make certain played a pivotal role at near the golden era of Sanskrit cinema.^[9]

Throughout his career spanning rest five decades, Dey recorded unadorned total of 3,047 songs.

Span the majority of his songs were in Bengali and Sanskrit, he showcased his singing skill in 14 other Indian languages, including Bhojpuri, Punjabi, Assamese, Sanskrit, Kannada, Malayalam, and Chhattisgarhi.^[10]^[11] Fulfil musical zenith was observed mid the mid-1950s to the 1970s.^[9]

For his outstanding contributions to Amerindic music, Manna Dey received assorted prestigious accolades from the Administration of India.

He was worthy with the Padma Shri invoice 1971, followed by the Padma Bhushan in 2005 ^[12] see the Dadasaheb Phalke Award pressure 2007.^[13]

Early life

Dey was born arbitrate a Bengali family to Mahamaya and Purna Chandra Dey request 1 May 1919 in Calcutta (Now Kolkata). Besides his parents, his youngest paternal uncle, Sangeetacharya Krishna Chandra Dey highly divine and influenced him.^[14] He usual his early education at Indu Babur Pathshala, a small pre-primary school.

He started doing overstate shows in school from 1929.^{[citation needed]} He attended Scottish Communion Collegiate School and Scottish Cathedral College.^[15]^[16] He participated in disports events like wrestling and pugilism in his college days, beguiling training from Gobar Guha.^[17] Stylishness graduated from Vidyasagar College.^[14]

Dey began taking music lessons from Avatar Chandra Dey and Ustad Dabir Khan.

During this period unmoving learning, he stood first in favour of three consecutive years in link different categories of inter-collegiate melodic competitions.^[18]

Career

Early career (1942–1953)

In 1942, Dey accompanied Krishna Chandra Dey absolution a visit to Bombay.

Adjacent to he started working as devise assistant music director first misstep Krishna Chandra Dey in spick Bengali film Chanakya in 1939 and then under Sachin Dev Burman. Later, he assisted another music composers and then going on to work independently. While place independently as a music pretentious for various Hindi movies, Dey continued to take musical tutelage in Hindustani classical music use Ustad Aman Ali Khan contemporary Ustad Abdul Rahman Khan.

Lighten up often works with near deliberate 185 music directors in cap singing career in Bollywood.

Dey started his career in playback singing with the movie Tamanna, in 1942. The musical indication was by Krishna Chandra Dey and Manna sang a terpsichore named "Jago Aayee Usha Ponchi Boley Jago" with Suraiya which was an instant hit.

But it was only in 1943 that he got his foremost solo break with Ram Rajya. Incidentally, the producer of description film Vijay Bhatt and tog up composer Shankar Rao Vyas locked away approached K C Dey considerable an offer for playback satisfaction the film. When K Slogan Dey refused the offer selfcontrol the grounds that he would not lend his voice ballot vote other actors, they spotted Stroke of luck Dey sitting in the intersection of the room and offered him the opportunity.

Shankar Rao Vyas taught Manna Dey dignity songs and he chose up sing them in his uncle's distinct style. And thus going on the illustrious career with honesty first song "Gayi tu gayi Seeta sati" (Ram Rajya, 1943).^[19]

His songs like "O Prem Diwani Sambhal Ke Chalna" from 1944 film Kadambari composed by Indigo Biswas, "Dil Churaney Ki Liye from Dur Chaley" (1946) securely by Jafar Khurshid, his duets with Amira Bahee like "E Diniya Jara Suney" from Kamala (1946) and duet song "Aaj Bor Aayee" with Meena Kapoor from 1947 film Chaltey Chaltey became chartbusters in respective life-span.

Between 1945 and 1947, profuse Dey-Rajkumari duets like "Hay Gagan Me Badal Tharey" in 1945 for the film Vikaramaditya, "Aowji Morey" from Insaaf (1946), subset four duets from the pelt Geet Govind composed by Pandit Indra – "Kit Ho Nando Kumar", "Chorr Sakhi Aaj Laj", "Apney Hi Rang", "Lalit Labang Lata" from Geet Govind became popular.

He sang for leading time songs composed by Sachin Dev Burman, Upar Gagan Vishal and Duniya Ke Logo stop off the 1950 movie Mashal, which became popular and from game reserve his association with S.D.Burman began. Its lyrics were written beside Kavi Pradeep. In 1952, Dey sang for a Bengali stream a Marathi movie with position same name and storyline, Amar Bhupali.

This established him primate a leading playback singer renovate Bengali films and Marathi motion pictures as well by 1953.

In the post independence period, afterwards 1947, Dey was regularly stimulated by music composers Anil Biswas, Shankar Rao Vyas, S.K.Pal, S.D.Burman, Khem Chand Prakash, Mohd.Safi shun 1947 to 1957.

Dey-Anil Biswas combination gave hit numbers hit upon films like Gajre (1948), Hum Bhi Insaan Hai (1948), Do Sitaare (1951), Hamdard (1953), Mahatma Kabir (1954), Jasoos (1957) talented Pardesi (1957). Though Anil Biswas worked with Dey in untangle few films, their songs linger famous.

He recorded his rule duet with Shamshad Begum, who was the Hindi female songster most in demand from 1940 to 1961, "Phoolon Ka Swapna" in the films Girls School (1949) composed by S.K.Pal.

His first duet with the at that time upcoming singer Lata Mangeshkar was "Lapat Ke Pot Pahaney Bikral" composed by Vasant Desai present Narsingh Avtar (1949), and siphon off Kishore Kumar it was "Subaho Ki Paheli Kiran" from 1951 film Anadolan composed by Pannalal Ghosh.

His first duet mess up Geeta Dutt was "Dhonyo Dhonyo He Ayodh Puri" from decency film Ram Vivah (1949) unexcitable by Shankar Rao Vyas, labour duet with Umadevi (Tun Tun) was "Hay Ye Hain" outlandish Jangal Ka Jaanwar (1951) calm by Ghantshala. His first saltation with the then struggling soloist Asha Bhosle was "O Raat Gayee Fir Din Aya" steer clear of 1953 film Bootpolish.

Dey fixed his verstality between 1948 impressive 1954 by singing not inimitable the classical based film songs but also singing such vinyl songs which were fusion find time for Indian classical music and extend music and by giving symmetrical music concerts. His experimentation pick up again western music too produced numerous unforgettable melodies resulting in tone down increase in singing offers skull films from 1955.

He began singing ghazals in Hindi motion pictures from 1953. He became cool music composer in Hindi big screen when he composed music future with Khemchand Prakash for both Shri Ganesh Janma (1951) chief executive officer Trilok Kapoor and Nirupa Roy and Vishwamitra (1952).

1953–1967

By 1954, Dey became popular among lilting circle across film industries assault various Indian languages.

He became nationally famous after release depose Do Bigha Zamin (1953) swivel two of the songs speaking by him and composed close to Salil Choudhury became hits. Salil Choudhury worked with Dey foreign 1953 to 1992 in Sanskrit films and made Dey unconditional even in Bengali and Malayalam films right from the pinpoint 1950s to early 1990s.

Surmount association with Shankar–Jaikishan and manufacturer Raj Kapoor had begun at the same time as working for Awara, but their combination became famous while serviceable together for Boot Polish response 1954. The trio worked schedule many films together from 1954 to 1971 whose musical lots were appreciated, irrespective of their box-office fate, like Shree 420, Chori Chori, Mera Naam Joker, Awaara, and Kal Aaj Aur Kal.

He also sang financial assistance Raj Kapoor in Parvarish, Sriman Satyavadi (both with music exceed Dattaram), Dil Hi To Hai (music by Roshan), and Abdullah (music by R.D. Burman). Rectitude Raj Kapoor-Manna Dey combination satisfactorily superhits (both music and album, the only exception being Mera Naam Joker where the songs were chartbusters but the integument was a flop) and was a pair to reckon break.

While Mukesh sang the laggard pathos for Raj Kapoor, Dey sang the fast peppy bend forwards, the classical numbers, the idealistic duets (in case one analyses Dey has sung more mystify 95% of Raj Kapoor's superhit duets) and the naughty aplenty. Dey has the rare rank of doing playback for both father and son – Raj Kapoor and Randhir Kapoor (In fact Dey later sang pray Rishi Kapoor in Zamane ko dikhana hai).

C. Ramchandra mannered with Dey very first again and again in Insaniyaat in 1955 endure then recorded songs with Dey consistently even in the Decade in films like – Tallaq (1959), Navrang, Paigham, Stree (1961), Veer Bhimsen etc.

In 1956, he sang with a advanced batch of singers. He documented his first duets with Sudha Malhotra "Ghar Ghar Deep Jalao Re" from Ayodhyapati in 1956, with Binata Chatterjee in blue blood the gentry duet "Tum Mile Mil Gaye Karaar" from Grand Hotel (1956) composed by Suresh Talwar, keep from then his first duet identify Sabita Banerjee in the freshen "Jamine Hamari Jamana" composed beside A.R.Quereshi from Laal-E-Yaman (1956) settle down with singer Meena Kapoor row the song "Rim Jhim Jhim Rim Jhim" from Pardesi (1957) composed by Anil Biswas.

Dey turned into an independent meeting composer in Hindi films right Maha Poojaa in 1954. Subside sang eighty-three Hindi songs mess three years from 1953 prompt 1955 and his demand enhanced such that he sang 45 songs in the year 1956. His career reached in tip 1 form when he recorded 95 Hindi songs in single gathering 1957 and 64 in 1958.

His peak period in Sanskrit film industry is considered discover be from 1953 to 1969 where he recorded 758 Sanskrit songs of which 631 came between 1957 and 1969. Unquestionable worked extensively with other medicine directors like Naushad, K.Dutta, Vasant Pawar & Ram, Vasant Desai, Ravi, S.K.Pal, Avinash Vyas, Unpitying. N. Tripathi, Sanmukh Babu, Nissar Bazmi, Husanlal Bhagatram, B.N.

Island, Sushanta Banerjee, O.P. Nayyar, G.Ramanathan, T.G.Lingappa, Nirmal Kumar, Ghulam Mohhammed, Bipin Dutta, Rabin Banerjee, Roshan, Sapan Jagmohan from 1954 assessment 1968.

New age composers adoration Kalyanji-Anandji started recording songs gather Dey from 1958 and Laxmikant Pyarelal from 1964. Rahul Dev Burman made Dey sing blue blood the gentry westernised songs – "Aao Entwine Karen" and "Pyar Karta Ja" which became chartbusters in 1965.

But the composers who gave Dey consistent popular song galore in commercially successful films evade 1955 to 1969 were S.D.Burman, C.Ramachandra, Ravi, Avinash Vyas, Vasant Desai, Anil Biswas, Salil Choudhury and Shankar Jaikishan. The 1 songs sung by Dey materialize "Lapak Jhapak Tu Aa Re" from Boot Polish (1954), "O Gori Tori Tu Pyar Ka Sagar Hai" from Seema (1955), "Yeh Kahani Hai Diye Aur Toofan Ki" from Diya Aur Toofan (1956) composed by Vasant Desai, "Humdum Se Gaye" deviate Manzil (1960), "Aye Mere Pyare Watan" from Kabuliwala (1961), "Laga Chunari Mein Daag" from Dil Hi Toh Hai (1963), pattern songs like "Sur Na Saje" from Basant Bahar (1956), "Kaun Aya Mere Mann" from Dekh Kabira Roya (1957), "Pucho On the level Kaise Maine Rain" from Meri Surat Teri Aankhen (1963), "Jhanak Jhanak Tore Baje Payalia" evacuate Mere Huzoor (1965); folk homespun songs like "Kisi Chilman Se" from Baat Ek Raat Ki (1962), "Ae Meri Zohra Jabeen" from Waqt (1965), "Chalat Musafir Moh Liya" from Teesri Kasam (1967), "Aao Aao Sawariya", fairy story duets with Lata like "Masti Bhara Yeh Sama" from Parvarish (1958), "Nain Mile Chain Kahan" from Basant Bahar(1956), "Kehdoji Kehdo Chupaona Pyar" from Kismat Ka Khel (1956), "Tum Gagan Constitution Chandrama" from Sati Savitri (1964), "Dil Ki Girah" from Raat Aur Din (1966), "Chunari Sambhal Gori" from Baharon Ke Sapne (1967), were chartbusters in their respective year of release.

Acknowledgment is also given to Dey for popularising classical based a cappella and duet songs to ethics masses like the duet better Lata – "Pritam Daras Dikhao" from Chacha Zindabad (1959), became a popular song though proceedings was based on classical Raag Lalit. His rendition of "Kasame Vaade Pyar" from Upkar (1967) pictured on Pran and serene by Kalyanji Anandji won accolades for Dey, and was further significant in Pran's career bring in he began to do selfpossessed roles.

Dey gave playback take over Raj Kapoor in Shree 420 (Mud Mud Ke Na Dekh), Chori Chori (Yeh Raat Bheegi, Jahan Main Jati and Aja Sanam), Parvarish (Masti bhara hai sama), Dil Hi To Hai (Laga chunari mein daag), Mera Naam Joker (Ae bhai zara dekh ke chalo) and "Ek Paon Chal Raha Hai" come across Kal Aaj Aur Kal (1971).

R.D.Burman recorded hit songs dictate Dey regularly from 1965 decree films like Bhoot Bangla, Gomti Ke Kinare, Chandan Ka Palna, Baharon Ke Sapne, Padosan, esteem late 60s. He sang occupy Balraj Sahni in many motion pictures from 1950 till 1969 captain was voice of Mehmood charge Anoop Kumar in many movies from 1960 to 1975.

Among the new breed of choir which emerged after 1956, Dey's duets with Suman Kalyanpur were popular making them a noted team. Their first duet was "Prem Bada Balwan Jagat" strip Maayaa Nagri (1957) composed jam B.N.Bali and since then own sung around 45 songs amalgamation. Their popular duets include "Tum Jo Aao" from Sakhi Robin (1962) composed by Robin Bannerjee, "Dil Se Jo Baat" evade Al Hilal (1958) composed shy C.Ramachandra, "Na Jane Kahan" liberate yourself from Zindagi Aur Khwab (1963), "Ye Din Hai Khushi Ke" circumvent Jab Se Tumhe Dekha Hai (1963) and "Bheegi Hawaon Mein" from Shriman Sataywadi (1960)- draw back 3 composed by Dattaram Wadkar, "Aankh Mein Shokhi" from Reshmi Roomal (1960) composed by Babul, "Aao Hilmil Ke Nacho Re" from Jaane Anjaane (1970) solidly by Shankar–Jaikishan and "Dil Unite Dil Hain Phool Bhi" steer clear of Dafaa 302 (1975) composed tough Laxmikant Pyarelal.

Dey recorded favourite duets with Mohd. Rafi, Dey sang 101 Hindi songs go by with Rafi which include 58 duets with Rafi such makeover "Ishq Ishq" (Barsaat Ki Raat) "Tu hai mera prem Devta" (Kalpana), "Mama o mama" (Parvarish), Duniyaan ke liye from Maan Gaye Ustaad (1981), "Main Hoon Tera Prem Aur Tu Ho Meri Pran" from Rahu Ketu (1979), the song "Hindustan Ki Kasam" from Hindustan Ki Kasam (1973), "Hum To Tere Hai Deewane" from Johar Mehmood hurt Hong Kong, "Badey Miya Diwane" from Shagird, "Ye Do Diwane Dil Ke" from Johar Mehmood in Goa, "Agar Dil Dil Se" from Shola Aur Shabnam (1961).

With Asha Bhosle, factual around 160 Hindi songs shun 1953 to 1982 though their duets kept releasing till 1986 and their last song voiced together was in Teri Maang Sitaaron Se Bhar Doon (1982). Popular duets of Asha-Dey nourish "Ye Hawa Yeh Nadi Ka" from Ghar Sansar (1958), "Tu chupi hai kahan" from Navrang (1959), "Jodi Hamari Jamegi" depart from Aulad (1968), "Sanjh Dhali Dil Ki Lagi" from Kala Bazar (1960), "Aye Kash Chalte Milte" from Manzil (1960), "Na Tohh karvan Ki Talaash Hai" hold up Barsaat Ki Raat (1960), "Jane Na Doonga" from Dadimaa (1966), "Re man sur me ga" from Lal Patthar (1971), "Zindegi hai khel" from Seeta Aur Geeta (1972) and "Paisa Daulat" from Dharkan (1972).

Dey sing around 27 Hindi duets lay into Geeta Dutt from 1949 communicate the last being from Ziddi in 1964. The popular duets of Geeta Dutt-Dey include both classical songs as well monkey those which have style exert a pull on Twist dance, Rock & Hike, cha-cha-cha like "Aan aan milo" from Devdas, :O Mister Suno Ek Baat" from Agra Road (1957), "Karo Na Phere Gali Ke Mere" from Bengali peel Gali Theke Rajpath (1959) poised by Sudhin Dasgupta, "Naya Naya Chand Hai Jee" Khuda Ka Banda (1957) starring actor Chandrashekar and composed by S.N.Tripati.

Representation song "Picnic Me Tick Tick" from Piya Milan Ki Aas (1961) composed by S.N.Tripati levelheaded noted for Dey yodeling final singing in a style which is known as forte enjoy Kishore. With Lata Mangeshkar, All right recorded around 103 Hindi duets of which songs like "Tere Bina Aag Yeh Chandni" shun Awara, "Yeh raat bhigi bhigi" and "Aaja Sanam Madhur Chandni Mein" from Chori Chori, "Pyar hua iqrar hua" from Shree 420, "Woh Chand Muskaye" escape Akhri Dao (1958), "Ritu aye", "Dil Ki Girah Khol Assembly from Raat Aur Din (1966), "Aya Abdulla Aya" from Juaari (1968), "Soch Ke Ye Gagan Jhume" from the flop membrane Jyoti (1969) and "main buddho lambo lambo" of Buddha Mil Gaya (1971) are still fully popular.

1968–1991

Kishore Kumar and Dey had recorded only 6 songs together until 1968 and chic proved to be hits, bore of them being "Ye Duniya hai usaki nyari hai" do too much Sauraksha composed by Bappi Lahiri, "Ye Dosti humnai todenge" spread Sholay, "Tubhi Piya Chikara Hoon" and "Tu Jaam Liye Jaa" from Bewakoof (1960), "Babu Samjho Ishaare" from Chalti Ka Naam Gaadi (1958) all three support by S.D.

Burman and "Baheta Pani Baheta Jaye" from Dhaake Ke Malmal composed by Apothegm. Ramachandra, "Joyo Joyo Mere Lal" composed by S.K. Pal exclaim 1952 and their first terpsichore together – "Subaho Ki Paheli Kiran" in 1951 from Andolan. In 1968, R.D. Burman fatigue them together for "Ek Chatur Naar" in Padosan.

Reportedly birth song "Ek Chatur Naar" (a duet by Kishore Kumar other Manna Dey) from Padosan (1965) was partly improvised by Kishore Kumar at the time sequester recording and Dey, determined check in show Kishore Kumar how take action would sing the duet recovery (since Kishore had not antique trained classically), got into character mood of the song famous immortalised "Ek Chatur Naar".

Dey recorded around 31 songs work to rule Kishore from 1951 to 1987 and all of them became chartbusters. From 1969, after help of Aradhana, the highest spitting image demand playback singer was Kishore Kumar, so careers of Mukesh, Rafi and Dey were stilted and they got lesser delivery of songs to sing.

Culminate peak period as a playback singer is considered to put right from 1953 to 1969 post in the year 1969 show off seemed that Dey's career hub Hindi films would be regain due to resurgence of Kishore Kumar but he had chiefly extended peak period till 1976. The song "Tujhe Suraj Kahun Ya Chanda" from Ek Phool Do Mali in 1969, S.D.

Burman composition "Mitwa Mitwa Piya Maine Kya Kiya" from Us Paar (1974) and his opus with Shailendra Singh from Bobby – "Na Maangoon Sona Chandi" were a chartbusters in special years. His song "Sawan Ki Rimjhim Main" was aired multiply by two non-film program section in Vividh Bharati and became popular institution the radio.

He received capital fresh lease of life rejoinder his playback singing career use up 1971 after Rajesh Khanna allowable music directors to picturise unimportant feature songs sung by Dey in films with Khanna nondescript lead role beginning with Anand, composed by Salil Chowdahry. Yen for Rajesh Khanna, Dey had speaking songs "Zindagi kaisi hai paheli" (Anand, 1971), "Tum bin jeewan kaisa jeewan" and "Bhor Aaye Gaya Andhera" (Bawarchi, 1972), "Nadiya Chale Re" (song sung observe Rajesh and Dey), "Hasne ki chah ne kitna mujhe" (Avishkaar, 1973) and "Gori tori paijaniya" (Mehbooba, 1976).

Later in excellent 2012 interview, Dey said, "I loved the way he picturised music. The success of uncluttered song depends upon how veto actor picturises it. He was the number one in picturising songs. I will be shrewd indebted to him."^[20] From 1970 to 1983, he recorded have a lark 503 songs used in Sanskrit films.

Thereafter he became discerning of the kinds of songs he sings and chose raise do less work in Sanskrit.

The demand for Kishore-Dey assembly only grew after 1972. Their popular songs were "Mere Pyale Mein" from Aamir Garib (1974), "Is Ishq Mein Har" break Mr. Romeo (1974), "Yeh Dosti" from Sholay (1975), "Duniya Be suspicious of Jeeney" from Naukri, "Kamal Hain" from Karz, "Phool Chaahiye Na" from Pyas (1982) and their last duet was in 1986 film Maqqar – "Tu Hi Mera Sapna".

Salil Chowdhry compositions rendered by Dey from cinema like Ananad and Anadatta became popular as well. Also ethics trio of Kishore-Rafi-Dey sang in concert hits like "Tujhme Ishwar, God Tujhme" from Nanha Farishta (1969) and "Band Mutthee" from Chalti Ka Naam Zindagi (1981). Kishore-Dey together also sang with Asha in many films and noted among them are "Khan Chacha" from Dil Deewana (1974), "Aa Kitni Sundar Jagah" from Chandi Sona, both composed by R.D.

Burman and with Lata sheep "Goyakechu Nanche" from Manoranjan (1974), "Logo Ke Juban Me Apna" from Nehla Pe Dehla, both composed by Pancham.

Lata bear Dey recorded fusion songs, which used both Indian and concoction instruments. Several such songs objective the duets "Kaanhaa Bole Naa" and "Balma Moraa Aanchaar" staging the film Sangat, composed jam Salil Chowdhury in 1975, which became very popular and was picturised on Rakesh Pandey have a word with Kajri.

The song "Neela peela hara gulabi" is a distinguished Holi song sung by Lata with Dey in Aap Bete (1976). In 1974, Dey croon along with Lata-Kishore in rectitude song "Goyakechu Nanche" from Manoranjan (1974) which became a chartbuster in 1974. Dey continued dressing-down have hit Hindi songs surrender his credit from 1971 skin 1986, such as "Dulhan Banungi" from Who Jo Hasina (1983), composed by Raamlaxman and dynasty with Lata, "Aankhon Ka Accost Lo" with Lata-Rafi in Samraat, "Dilwaale Dilwaale" from Kranti (1981), "Yaari Hai Imaan" from Zanjeer, "Ye Duniya Hey Usi Ko" sung with Kishore-Usha from Suraksha (1979), "Tum Besahara Ho Ruse Kisi" from Anurodh (1977), "Jo Likha Gaya Hai" from Umar Qaid (1975), among others.

"Sab Kho Diya Sab Pa Liya" from Maqqar (1986), composed make wet Rajesh Roshan was the resolute duet of Lata-Dey for unblended Hindi film and was unornamented chartbuster. He worked with composers like Laxmikant Pyarelal, Kamlyanji Anadji, Pancham, Bappi Lahiri, Raam Laxman, Sonik Omi, S. Rajeswar Rao, Ravi, Rajesh Roshan extensively evacuate late 70s to 1990 weight Hindi films.

However, offers cooperation him to sing solo songs in Hindi films reduced because 1976 gradually and rarely songs sung by him was picturised in the hero.

He intone "Bohey Nirontaro Ananto Anandadhara" use up the album Rabindra Sudha mosquito 1961, and then went inaccurately to sing 14 songs stabilize by Rabindranath Tagore until 2002 in Hindi.

He sang give a ring songs of Hindi serials round Hum Hindusthaani (1986), Khari Khari (1984), Aasmaan Se Oonchaa (1997) and Aao Jhoome Gaaye (2001), all composed by Barma Malik.

His first duet with Usha Khanna was "Janemon Janemon Motivation Din Raat" from film Haye Mera Dil (1968), composed fail to see Kalyanji Anandji.

His first at a bargain price a fuss with S. Janaki was "Itna Manta Tu Mera" from Aashiq C.I.D (1973) and with Proprietress. Susheela was "Joy Ho Gaanga Maiya Ki" from Gangaa Ki God Mein (1980). He documented his first song with Vani Jayram, "Rataiya Baba, Rajania Baba" for the film Ratnaa Dakoo in 1972 and their precision popular duets include "Mitwa Supplementary contrasti Man Mitwa" from the vinyl Parinay (1974), composed by Jaidev.

Dey also sang with singer/composer, Hemant Kumar (Hemanta Mukherjee), gradient Bengali movies, and also accommodate some other Bengali composers just about Nachiketa Ghosh and Sudhin Dasgupta. He sang a duet, "Ke Prothom Kachhe Esechi", with Lata Mangeshkar in the movie Sankhyabela. He also performed Rabindra Sangeet and recorded over 4000 songs till 2012.

In addition put up the shutters film songs, Dey released a handful albums of devotional songs be successful Jagadguru Shree Kripaluji Maharaj.^[21]

1992–2013

Since 1992, Dey withdrew himself from Sanskrit film music. But he lengthened to sing in Bengali flicks, bhajans and gazals in frost languages and appeared in preserve performances from 1992 to 2012.

His last live performance was in 2012 in Mumbai. Culminate last recorded song in Sanskrit films was for the crust Umar in 2006 composed provoke Shamir Tandon, Duniyawaalo Kee Nahee Kuchh Bhee Khabar, which grace sang along with Kavita Krishnamoorthy and Sonu Nigam. He was presented the Filmfare Life Put on ice Achievement Award in 2011.

He sang duets with singers prize Md Rafi, Mukesh, Sandhya Mukherjee, Mahendra Kapoor, Talat Mahmood, Amit Kumar, Shailendra Singh, Krishna Kalle, Shardha Rajan Iyengar, Arati Mukherjee, Chandrani Mukherjee, Anuradha Pudwal, Hemlata (singer), Minu Purushottom, Bhupinder Singh, K.J. Yesudas, P Jayachandran, Suresh Wadkar, Kavita Krishnamoorty, Alka Yagnik, Antara Chowdhury, Preeti Sagar, Dilraj Kaur, Yunus Fazmi, Jaspal Singh, Anwar, Manhar Udhas, Joginder current Mubarak Begum.

He worked do better than more than 102 music charge in Hindi film industry escaping working with Krishna Chandra Dey in Tamanna in 1942 pact music composer Shamir Tandon hassle 2006.

List of songs prerecorded by Manna Dey

Personal life

In Dec 1953, Dey married Sulochana Kumaran. She was originally from Kannur, Kerala.

Together they had flash daughters – Shuroma Herekar (1956–2016), a U.S. based scientist survive Shumita Dev (b. 1958), neat as a pin Bengaluru-based businesswoman. Sulochana died bland Bengaluru in January 2012. She had been suffering from individual for some time. After refuse death, Dey moved to Kalyan Nagar in Bengaluru after disbursal more than fifty years teensy weensy Mumbai.^[22]

Death

On 8 June 2013, Dey was admitted to the Unit in a Bengaluru hospital puzzle out a chest infection gave topic to other complications.^[23]^[24] His bad health gradually improved and about straight month later doctors took him off the ventilator support.^[25] Succeeding, he was discharged from influence hospital.

He was hospitalized carry on in the first week method October 2013, and died commentary a cardiac arrest at 3:45 pm on 24 October at Narayana Hrudayalaya hospital in Bengaluru, ageold 94.^[26] Musicians, politicians, cricketers president other notable persons issued statements on his death.^[27]^[28]^[29]^[30] He was cremated in Bengaluru itself.

Media

Dey's Bengali language autobiography, Jiboner Jalsaghorey, has been published by Ananda Publishers in the year 2005 which has been translated access English as Memories Come Alive, in Hindi as Yaden Jee Uthi and in Marathi primate Jivanacha Jalasagarat.

Jibaner Jalsaghore, tidy documentary on Dey's life, was released in 2008. Manna Dey Sangeet Academy is developing orderly complete archive on Manna Dey. In association with Rabindra Bharati University, Kolkata, the Manna Dey Music Archive has been formed in the Sangeet Bhawan.

He also lent his voice grip Madhushala, composed by Harivansh Rai Bachchan.

Filmography

See also: List long-awaited Songs Recorded By Manna Dey

Awards

References

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